When everything looks sepia

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Perhaps I’ve been looking at too many Civil War-era photographs of recent, but I’ve really been having fun playing with conversions to mimic the old Calotype prints of the mid-1800s.

The scratches and damage areas play a role in a successful conversion. Many of the photos you’ll see today will have those imperfections, but the trick is to make them look random when they are not. The same is true for the grain. Should be some, can’t be too much.

This is an image of my friend Angela from a couple of years back.

Sepia and a Calotype approach isn’t right for everything, but it’s a useful option in some cases.

Angela gets ready

This photo started off, more or less, as a mistake.img_6439a

Angela flies through her days juggling 9 million different things. I know this because she posts on Facebook.

Observers would think it was seamless, but Angie says that’s not always the case. She’s still impressive.

Since she moved south — because it’s a lot warmer — I don’t get to see her quite as much any more. And that’s a bit sad, but we stay in touch on Facebook and an occasional chat.

Angela does a lot of things well. She has a busy job which seems to suit her. She’s a heck of photographer when she finds the time. She has many widely divergent interests. Continue reading “Angela gets ready”